Percival Everett reimagines—no, inverts-- the classic saga of The Adventures of Huckleberry Finn that resides in every American’s consciousness. Huck Finn and enslaved Jim’s adventures have been in print for 140 years. If you didn’t read it in American schools, you’ve likely still been affected by its content. Everett reappropriates that story, turns it upside down and inside out, and leans formidably forward by making this a story and POV of Jim, with Huck at his side.I am in awe and in thorough admiration of Percival Everett’s skills and fierce talent. My personal favorites, The Trees (shortlisted for Booker in 2022), and Telephone (a finalist for the Pulitzer in 2021) combine laconic protagonists, subversive wit, and tragic events. In James, he has made Twain’s classic his own historical fiction, and I applaud it as the contemporary bookend of Twain’s classic. He improves upon it by giving Jim agency. I predict that they will be teaching both books side by side in the coming years.“White folks expect us to sound a certain way and it can only help if we don’t disappoint them…The only ones who suffer when they are made to feel inferior is us.” This is Jim, teaching his daughter and other enslaved children a lesson in coded speech. Although they speak eloquently amongst themselves, they communicate submissively to the white folks, which enhances their survival in a world where they are nothing but chattel. It also illuminates their intelligence as they hide (linguistically) in broad daylight from their ignorant “massas.”Additionally, the enslaved people pretend that God and Jesus are primary in their lives, when in actuality, as Jim states, regarding white folks, “religion is just a controlling tool they employ and adhere to when convenient.” If there really was a God and a Jesus, why would they allow white people to enslave Black people? Is this the kind of world that any God intended?As in Twain’s original, Jim and Huck run off together from Hannibal, Missouri and ride the Mississippi River, beginning in a raft. The main plotline of the original text is captured, but comically and dramatically turned on its head. Jim leads a double life—one that he owns, and one that meets white people’s expectations. In fact, there are those that are more threatened by a Black man with eloquence than they are by a Black man with a pistol.Intelligence is Jim’s stunning subterfuge. He has a rich interior life, and in dreams, he debates slavery and philosophy with the likes of Voltaire, Rousseau, and John Locke. As an autodidact who enriched himself in Judge Thatcher’s library, Jim spends stealth nights in there poring over the judge’s books. His quick wit, thoughtful compassion, and deep humanity also become his ammunition in a hostile world.As the plot progresses, Jim and Huck grow closer, and more revelations are gradually disclosed. The major twist is foreshadowed early on, so it doesn’t come out of nowhere, and it changes the complexion of the story. As others have already noted, this is the novel that Everett was born to write. In his hands, his heart.