The Gershwin tracks are minimalist deconstructions sounding a bit clinical although they have their eerie and atmospheric phases. The James Brown interpretations have their amusing moments, especially in the audience participation and I suppose they go a long way to deconstructing James Brown' legendary Live At The Apollo set, but of course it lacks soulfulness, thereby completely missing out on the essence of James Brown's music. Maybe that is the point? The structure is there, but it's like a mere skeleton without the flesh of the soul, with the possible exception of Night Train which is quite rousing. I can't imagine this music having anything but an intellectual appeal. I prefer The Residents with Snakefinger doing their own stuff. The other album in this American Composer Series: Stars & Hank Forever, is more accessible and enjoyable.Stars & Hank Forever: The American Composers Series, Vol. II